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COMPACT – Zora Janković

B-Part Exhibition Luckenwalder Str. 6b, Berlin

The new exhibition COMPACT by sculptor Zora Janković is again dedicated to architecture. The sculptures and photographs of the artist are characterized by asymmetrical compositions and main cubic forms that characterize the International Style and thus the entire architecture of modernism. This is further supported by the use of solid materials such as concrete, steel

COMPACT – Zora Janković

B-Part Exhibition Luckenwalder Str. 6b, Berlin

The new exhibition COMPACT by sculptor Zora Janković is again dedicated to architecture. The sculptures and photographs of the artist are characterized by asymmetrical compositions and main cubic forms that characterize the International Style and thus the entire architecture of modernism. This is further supported by the use of solid materials such as concrete, steel

COMPACT – Zora Janković

B-Part Exhibition Luckenwalder Str. 6b, Berlin

The new exhibition COMPACT by sculptor Zora Janković is again dedicated to architecture. The sculptures and photographs of the artist are characterized by asymmetrical compositions and main cubic forms that characterize the International Style and thus the entire architecture of modernism. This is further supported by the use of solid materials such as concrete, steel

COMPACT – Zora Janković

B-Part Exhibition Luckenwalder Str. 6b, Berlin

The new exhibition COMPACT by sculptor Zora Janković is again dedicated to architecture. The sculptures and photographs of the artist are characterized by asymmetrical compositions and main cubic forms that characterize the International Style and thus the entire architecture of modernism. This is further supported by the use of solid materials such as concrete, steel

Cyrill Lachauer – Birds

B-Part Exhibition Luckenwalder Str. 6b, Berlin

Birds (Nat.Geo. 1989 - 1999), 2022 As a teenager, I got a complete National Geographic collection from 1989 to 1999 from a friend of my parents. At that time the booklets were only available in English and it was still a phase when print media had the money to do high quality work. The booklets

Neighborhood network for the homeless

B-Part Am Gleisdreieck Luckenwalder Str. 6b, Berlin

Deutsche Bahn, in cooperation with B-Part Am Gleisdreieck, is organizing a neighborhood meeting on the topic of homeless people at train stations. We ask ourselves: How can initiatives in the neighborhood be realized? Where can help be offered? How can donations be acquired? What can and should be made available in emergency situations? and much

FATIMA DEUTSCHESKIND – RETROSPECTIVE

B-Part Exhibition Luckenwalder Str. 6b, Berlin

*In keeping with her motto "I create reality," Katja Deutschmann stages the new exhibition at the B-Part Exhibition Am Gleisdreieck under her pseudonym Fatima Deutscheskind: RETROSPECTIVE. In doing so, she plays a game with the absurd that is not logically tangible: non-existent places, associations and people appear quite naturally in the context of this exhibition

RELIEF

B-Part Exhibition Luckenwalder Str. 6b, Berlin

The relief can be located between sculpture and painting. Created from a surface or a body, it stands out plastically from the background, figurative or abstract-ornamental. The group exhibition RELIEF at B-Part Exhibition shows various current groups of works with reliefs, which show references to architecture, to the urban, to spatial concepts, but which also

HOW TO MAKE A KIEZ – What modern neighborhood development can learn from typical Berlin neighborhoods (“Kieze”)

B-Part Am Gleisdreieck Luckenwalder Str. 6b, Berlin

What makes a Berlin Kiez so special? What can we learn from it for future urban neighborhoods? The B-Part | Urban Ideation Lab would like to use the knowledge gained to support and generate ideas for helping to shape a  lively and integrative future urban neighborhood, the Urbane Mitte Am Gleisdreieck. How can we turn

Susanne Piotter – Alternate Angles

B-Part Exhibition Luckenwalder Str. 6b, Berlin

In "Alternate Angles," Berlin-based artist Susanne Piotter (*1969) examines the formal world of post-war concrete brutalism in a variety of ways - a world that is familiar and yet seems far away. It was probably not only exhibitions with international appeal such as "SOS Brutalism" (2017, Deutsches Architekturmuseum) that recently brought new attention to the